Seurat  
Author(s): Sandra Forty
Published by Taj Books International
Publication Date:  Available in all formats
ISBN: 9781844062959
Pages: 0

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ISBN: 9781844062959 Price: INR 225.99
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Georges Seurat was one of the most important Post-Impressionist painters to lead the way toward the modern era in art. He is best known for developing pointillism, an exacting and time-consuming technique whereby tiny dots of paint are combined to create a composition. His work is stylized and considered, in complete contrast to the impetuous spontaneity of his precursors and contemporaries, the Impressionists. Seurat had a life-long fascination with optical observations and experiments and taught himself to become a master of color theory and linear structures. On canvas this meant rather than just painting the apparent color or shade of an object, Seurat broke down the individual component colors and placed them in individual tiny dots or dashes so that the eye of the observer would see the overall color, but on closer inspection see each individual color component. His strangely stilted paintings have a quality of stillness about them and are almost photographic in their detail. By the time he died at the age of only 31, Seurat had produced several huge paintings, about 60 smaller ones, numerous studies for his larger paintings plus around 500 drawings. In later years the Surrealists hailed Seurat as an inspirational maverick and a spiritual father to them.
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Georges Seurat was one of the most important Post-Impressionist painters to lead the way toward the modern era in art. He is best known for developing pointillism, an exacting and time-consuming technique whereby tiny dots of paint are combined to create a composition. His work is stylized and considered, in complete contrast to the impetuous spontaneity of his precursors and contemporaries, the Impressionists. Seurat had a life-long fascination with optical observations and experiments and taught himself to become a master of color theory and linear structures. On canvas this meant rather than just painting the apparent color or shade of an object, Seurat broke down the individual component colors and placed them in individual tiny dots or dashes so that the eye of the observer would see the overall color, but on closer inspection see each individual color component. His strangely stilted paintings have a quality of stillness about them and are almost photographic in their detail. By the time he died at the age of only 31, Seurat had produced several huge paintings, about 60 smaller ones, numerous studies for his larger paintings plus around 500 drawings. In later years the Surrealists hailed Seurat as an inspirational maverick and a spiritual father to them.
Table of contents
  • Cover Page
  • Copyright
  • Title Page
  • Georges Seurat
  • Plate 1
  • Plate 2
  • Plate 3
  • Plate 4
  • Plate 5
  • Plate 6
  • Plate 7
  • Plate 8
  • Plate 9
  • Plate 10
  • Plate 11
  • Plate 12
  • Plate 13
  • Plate 14
  • Plate 15
  • Plate 16
  • Plate 17
  • Plate 18
  • Plate 19
  • Plate 20
  • Plate 21
  • Plate 22
  • Plate 23
  • Plate 24
  • Plate 25
  • Plate 26
  • Plate 27
  • Plate 28
  • Plate 29
  • Plate 30
  • Plate 31
  • Plate 32
  • Plate 33
  • Plate 34
  • Plate 35
  • Plate 36
  • Plate 37
  • Plate 38
  • Plate 39
  • Plate 40
  • Plate 41
  • Plate 42
  • Plate 43
  • Plate 44
  • Plate 45
  • Plate 46
  • Plate 47
  • Plate 48
  • Plate 49
  • Plate 50
  • Plate 51
  • Plate 52
  • Plate 53
  • Plate 54
  • Plate 55
  • Plate 56
  • Plate 57
  • Plate 58
  • Plate 59
  • Plate 60
  • Plate 61
  • Plate 62
  • Plate 63
  • Plate 64
  • Plate 65
  • Plate 66
  • Plate 67
  • Plate 68
  • Plate 69
  • Plate 70
  • Plate 71
  • Plate 72
  • Plate 73
  • Plate 74
  • Plate 75
  • Plate 76
  • Plate 77
  • Plate 78
  • Plate 79
  • Plate 80
  • Plate 81
  • Plate 82
  • Index
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